![]() I’ll have more once I’ve had more time with the build. NI has provided us with some genre-particular demos showing off the sound results. But holy crap, it sounds good and goes deep – and the demos here are just the start. More on that soon in our exclusive hands-on. I’ve just started playing with an early build, and … uh, wow. In fact, this really shows us some of the fruits of what was developed for Reaktor 6 – regular readers will recall I was particularly interested in granular and sampling possibilities the moment I heard about new drag-and-drop file handling and table facilities. But things get interesting with various motion curves, which you can also edit in order to create unique movements through morphing sounds.Īnd because it’s powered in Reaktor, you can also go a lot deeper if you have a Reaktor license handy. You can patch them together to create new and unique modular synthesizers, effects chains, complex sequencers, and more. REAKTOR also provides a platform for modular synthesis in the form of Blocks a range of sound generating and sound shaping modules. If you want to stay shallow, there are the prerequisite presets, of course. Native Instruments Reaktor is a virtual, modular synthesis platform. There’s a set of performance tools for saving and recalling snapshots quickly, as well. You can modulate just about everything, but you can also easily combine parameters into macro controls (perfect, of course, for NI’s own keyboard line, but also your favorite controller, too). Reaktor is known for its flat hierarchy and the Amsterdam office is the first one to test a new form of management: putting a Leadership team in charge instead. (If you’re thinking that allows for some mind-blowing results, you’re right – and NI have somehow tuned this instrument so that you can wrap your head around producing some nice results.) You can combine the additive oscillator with the sampled oscillator using frequency manipulation. It combines adjustable playback and otion with an additive synthesizer, sample manipulation with rich modulation. But Form is all a matter of implementation. By using Oscillator FX, changing the modulation, and sample wave form, Native Instruments will show you how you can easily create eerie sound landscapes in next to no time. That’s nothing new in and of itself, as a fundamental idea. Product expert Tim Cant shows you how to create complex, atmospheric soundscapes and FX using REAKTOR synthesizer FORM. Drag and drop a file onto the interface, and then play them back using granular techniques to manipulating pitch and time and “track” through the sample at different speeds and with different gestures. And it lets you drag and drop sounds to manipulate them into playable instruments.įorm is a hybrid sample-based synthesizer. It’s powered by Reaktor, but it’s been built from the ground up, according to NI. Tucked into the release announcement of Komplete 11 comes some very big news for lovers of creative sound design and synthesis. But more recently, that power has found its way to self-contained instruments. Native Instruments has been a pioneer in making tools like Reaktor that employ unique synthesis techniques.
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